The future is an uncertain condition that continues to be the subject of speculation: what will become of our planet, of our species, of our own personal futures? K.A. Letts’ new body of work mines tales and styles from the past to present an interpretation of what the future could hold.
With the integration of the internet, smartphones, and social media into our everyday lives, our culture has shifted itself to align with technology. Our attempts to enhance ourselves physically, intellectually, and technologically is explored by Letts through the revisitation of ancient tales and myths that have largely shaped many cultures. The urge to overcome our (human) limitations – to get more, make more, and feed a sort of hunger that never seems to be satiated – is fueled by ambition. Throughout the work themes of inspiration and ambition are present in subject matter and even technique. The stylish and meticulously rendered paintings visually hearken back to Cubism and Abstraction, while the subject matter references the Bible and Greek mythology.
9 Muses, a large cut-out wall piece, catches the eye with its liveliness and movement, setting the tone for the rest of the show. The muses were female figures that granted inspiration to people in several different artistic areas. Throughout the exhibition there seems to be an exploration of women as shapers of culture – whether it’s through inspiration or through their actions. The tales presented traditionally have been seen as matters of good and bad, black or white, but are presented outside of those binaries within these works. Humans are complex creatures after all.
Tree of Knowledge 1 & 2 read like topographical maps of a confusing terrain. Based on the biblical tale of Lucifer’s offering of infinite knowledge to Eve, the two works can be compared to mapping, building, and infrastructure – some of the many marks we have as humans on this world. A muted color palette of black, white, and gold is visible throughout most of the work, along with the morphing images of human bodies. The shifting and evolution from what we know now as human and what the shape of things to come can be is presented in a subtle manner. There are no cyborgs, no machines, no artificial intelligence, just human tales interpreted and rendered by the human hand.
Does looking back to the past allow us to imagine the future? Whether universal or personal is the future even fathomable? Through looking back to tales that have shaped culture for centuries Trans Human gives a personal interpretation, both intimate and culturally specific, at what the future may hold. Even with speculation the future is an out-of-focus, close-but-far-away prospect that is tricky to concretely imagine. Despite that Letts’ proposition throughout this collection of work is both beautiful and mysterious.