In time things reveal themselves to those who chose to look, rather than just see. When we take the opportunity to pay attention, that’s when everything dwelling just beyond our gaze suddenly becomes visible. SIEN collective’s work gives us the chance to look past the surface and discover the underlying details that normally escape our attention.
Sweeping Close… and Now is a collection of work that is powerful in a subtle way, exploring ideas of duality that are inherent in nature, mythology, and materials. Works that, at first, seem simple and straightforward, but are actually ripe with secrets that lure the viewer to take a closer look. Multiple processes, such as cyanotype printing, encaustic assemblage, stitching, and drawing, are used to create a body of work that has an undeniably feminine undertone. Many of the sources for the work deal with issues of the natural, the feminine, and even misconceptions concerning the body.
Early theories concerning the female body are breached in a series of cyanotypes consisting of three pieces titled Isadora, Hysterika, and The Wanderer. The triptych is a take on the ancient Greek belief that the uterus is a wandering organ, shifting as it pleases and dictating how a woman feels and acts at any given moment. The prints each feature a uterus with legs, a literal take on the misconception, offering an underlying challenge to the fallacy by granting a sense of autonomy to the mysteries that dwell within the body.
When we’re faced with the qualities of nature, we’re made aware that they aren’t just black and white, but in fact an intricate grayscale: ranging from calm and serene to ferocious and destructive. These murkier and more intricate qualities are seen in works referencing characters such as Baba Yaga, a witch that either hinders or helps whoever seeks her out.
Baba Yaga Blind is an encaustic assemblage loaded with different types of fabric, piled and sewn together to depict the mythological character’s iconic dwelling. Susannah, another encaustic assemblage, takes from biblical source material about a woman who is threatened by two men, who claim she was betraying her husband, so that they can force her into having sexual intercourse.
Though the two works have similar imagery – a singular tree draped with fabric, which evokes a sense of isolation and mystery – there is also a curiosity that is conjured by the minimal compositions. The concept of choice is the connecting theme between these two works: the choice to aid or hinder those who are in need and the choice of whether or not to give into those who seek to exploit and inflict harm.
The choice to harm or help is also explored in a more modern sense through the reuse of materials throughout the works. Still Life, a black plastic bag that is embroidered with colorful floral imagery depicts new life being brought to something that was meant to be discarded, or conversely act as the means in which other things are discarded. By putting natural imagery on a material that is expendable and has the ability to do harm to the environment, an exploration of alternatives and the complexity of nature is once again brought to the audience’s attention.
There’s power in subtly; the mixed media works of SIEN collective come across as simple, but reveal their complexity in time and with inspection. The connection to deeper narratives concerning myth and the everyday become more apparent as one dissects the work. Once the dots start to be connected, the work opens up and changes each time it’s examined; in it’s own quiet way, it sticks around long after it’s been seen.
Sweeping Close… and Now is on view at the Walter E. Terhune gallery until March 24th. For more work from the SIEN collective visit their site: https://siencollective.com/.